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Sarah Kane: Complete Plays: Blasted; Phaedra's Love; Cleansed; Crave; 4.48 Psychosis; Skin (Contemporary Dramatists), by Sarah Kane
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Review
“Sarah Kane, a provocative playwright whose bleak view of the limitations of human relationships and graphic dramatizations of violence and sex earned her a reputation as an enfant terrible of the British theater...Blasted immediately established her as an important voice in modern playwriting.†―The New York Times“Kane wrote simply and starkly about the world she saw around her…a mature and vividly theatrical response to the pain of living.†―Guardian“Shocking and revelatory.†―New York Magazine (Blasted review)“As compact and beautiful as a diamond in structure--and yet the mood it inspires is as black as coal.†―Time Out (4.48 Psychosis review)“A hugely unnerving theatrical experience, shot through with the language of the Bible and a genuinesly poetic richness.†―Time Out (Crave review)“The writing has an almost unparalleled distiled intensity which is often unbearable to watch...To some it will be repellent.Others will recognize it as absolute proof of the power of live theatre.†―Independent (Cleansed review)“Pure theatre. Or rather, impure theatre: dirty, alarming, dangerous.†―Observer (Phaedra's Love review)
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About the Author
Sarah Kane (1971 – 1999) was an English dramatist. She is best known for the extraordinary public controversy over Blasted, her first play which, like subsequent works from her, were shocking and defining moments in theater: explosive, theatrical, lyrical and laced with emotional power and bleak humor.
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Product details
Series: Contemporary Dramatists
Paperback: 288 pages
Publisher: Methuen Drama; Reprint edition (February 22, 2008)
Language: English
ISBN-10: 9780413742605
ISBN-13: 978-0413742605
ASIN: 0413742601
Product Dimensions:
5 x 0.6 x 8 inches
Shipping Weight: 8.5 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
19 customer reviews
Amazon Best Sellers Rank:
#154,272 in Books (See Top 100 in Books)
A great way to thrust yourself into the world of 'In-Yer-Face-Theatre'. Whenever I read one of her plays, I find myself almost forced to read it to the very end as if pausing the pain, even for a day, could cause me even more trauma. Once finished, I usually cry or sit in awe of what I've just experienced. I then completely divorce myself from the crude acts that took place for months at a time merely to return to the same story that I allowed myself to forget in order to continue functioning. And the cycle begins again. I have read that Mark Ravenhill is also in Kane's ranks if you find yourself in need for more from this genres.
Sarah Kane's collected plays represent an underestimated force in theater. Much like the work of Elfriede Jelinek or Ntozake Shange, Kane takes a private pain (losing oneself in another or testing the limits of proclaimed love) and creates a verbal landscape that the audience must inhabit, either by force of shock or noble acceptance of empathy. In either case, her plays must be reckoned with upon finishing. I think perhaps the most intriguing and powerful to me was 4.48 Psychosis, her final and posthumously performed play. There are no defined characters because who cannot claim a piece within the multitude of confessions that the play really unfolds as. Brutally honest and intentionally confrontational, this play, above the others, embodies the last possible moments of hope in anyone's life. Kane's characters rarely make the choice to latch on to these moments, but they are there and cannot be ignored.
Sarah Kane's plays are crass, bleak, bland, not lyrical and certainly not beautiful, neither philosophical nor reflective. She's a reactionary. She's visceral. She's base in the truest sense, like blood, or a seizure, not quite an orgasm. There's no ecstasy in her world.You might not respect her...and maybe you shouldn't. Maybe she doesn't want you to.But read her, anyway. If only to find fault with her attempts. Pick her apart.She's nothing if not an engaging read.In fact, she may in fact be--in the nihilist sense of the word--nothing....Read her anyway.
A wonderful collection of thought provoking works. It amazes me that there is so many in the theatre who do not know this woman's work. Powerful, powerful stuff.
In great condition, I love her writing.Sarah Kane is messed up and dark, but I love herThe book itself was not bent, no writing inside it, and even though it was used, it was in good condition
This book of Kane's plays and one screenplay is amazing. Came in good condition. I'm very happy with this purchase.
Great, twisted plays
This is one of the most prolific books by a young writer I've ever read. It's a must-read, must-gift, must-have.
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