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Much of the scholarship on second-wave feminism has focused on divisions within the women's movement and its narrow conception of race and class, but the contributors to this volume remind readers that feminists in the 1960s and 1970s also formed many strong partnerships, often allying themselves with a diverse range of social justice efforts on a local grassroots level. These essays focus on coalitions and alliances in which feminists and other activists joined forces to address crucial social justice issues such as reproductive rights, the peace movement, women's health, Christianity and other religions, and neighborhood activism, as well as alliances crossing boundaries of race, class, political views, and sexual identity. The contributors bring fresh perspectives to feminist history by calling attention to how women struggled to include and represent diverse women without minimizing the difficulties of conceptualizing a singular feminism. 

Contributors are Maria Bevacqua, Tamar Carroll, Marisa Chappell, Andrea Estepa, Sara M. Evans, Amy Farrell, Stephanie Gilmore, Cynthia Harrison, Elizabeth Kaminski, Wendy Kline, Premilla Nadasen, Caryn Neumann, Anne M. Valk, and Emily Zuckerman.

• Sales Rank: #1503461 in Books
• Published on: 2008-05-23
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .70" w x 6.00" l, .96 pounds
• Binding: Paperback
• 320 pages

Review
"These fascinating and vivid essays complicate and expand our view of the coalitions that were able to come together and fight for common goals. Scholars and students in women's history, women's studies, and sociology will surely find this an invaluable reference as it introduces new histories of the women's movement and second-wave feminism."--Ruth Rosen, author of The World Split Open: How the Modern Women's Movement Changed America

“[Feminist Coalitions] does well in calling attention to the many identities of second-wave feminisms and the movement’s successful initiatives in work, health, reproductive, peace, and civil rights campaigns.”--The Journal of American History

 

“An important new dimension to the ongoing scholarship, revisioning the history of second-wave feminism.”--Oral History Review

About the Author
Stephanie Gilmore is a visiting assistant professor of history and American studies at Trinity College, Hartford, Connecticut.

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Download Phantasmal Media: An Approach to Imagination, Computation, and Expression (MIT Press)By D. Fox Harrell

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In Phantasmal Media, D. Fox Harrell considers the expressive power of computational media. He argues, forcefully and persuasively, that the great expressive potential of computational media comes from the ability to construct and reveal phantasms -- blends of cultural ideas and sensory imagination. These ubiquitous and often-unseen phantasms -- cognitive phenomena that include sense of self, metaphors, social categories, narrative, and poetic thinking -- influence almost all our everyday experiences. Harrell offers an approach for understanding and designing computational systems that have the power to evoke these phantasms, paying special attention to the exposure of oppressive phantasms and the creation of empowering ones. He argues for the importance of cultural content, diverse worldviews, and social values in computing. The expressive power of phantasms is not purely aesthetic, he contends; phantasmal media can express and construct the types of meaning central to the human condition.

Harrell discusses, among other topics, the phantasm as an orienting perspective for developers; expressive epistemologies, or data structures based on subjective human worldviews; morphic semiotics (building on the computer scientist Joseph Goguen's theory of algebraic semiotics); cultural phantasms that influence consensus and reveal other perspectives; computing systems based on cultural models; interaction and expression; and the ways that real-world information is mapped onto, and instantiated by, computational data structures.

The concept of phantasmal media, Harrell argues, offers new possibilities for using the computer to understand and improve the human condition through the human capacity to imagine.

• Sales Rank: #919426 in Books
• Published on: 2013-11-08
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .88" w x 7.00" l, 2.51 pounds
• Binding: Hardcover
• 440 pages

Review

D. Fox Harrell is the leading scientist of the human mind in the digital age. Phantasmal Media is a major advance in the study of the human imagination. Harrell's brilliance, learning, wit, and charm make it a great pleasure to read.

(Mark Turner, Institute Professor and Professor of Cognitive Science, Case Western Reserve University)

Fox Harrell's bold and audacious view of the relationship between computing and the imagination blends a very broad range of multicultural references with perspectives from the sciences, humanities, and arts to present an unprecedented vision of how people and machines can come together to forge not only new software systems, but a new ethics and politics of the human condition. This is what a groundbreaking book looks like.

(George E. Lewis, Columbia University)

Deftly operating at the productive intersection of computational design, cognitive science, and expressive media, Phantasmal Media draws attention to the profound involvement of human imagination in the encounter with information technology. In doing so, it provides a new basis for understanding human-computer interaction and artificial intelligence, one that places ideation and ideology at the center and, in doing so, profoundly troubles questions of representation and agency at the heart of computational practice. It is inspiring, intriguing, and, yes, haunting.

(Paul Dourish, Professor, Department of Informatics, University of California, Irvine)

Harrell's book, Phantasmal Media, published this week by MIT Press, outlines an approach to analyzing many forms of digital media that prompt these images in users, and then building computing systems -- seen in video games, social media, e-commerce sites, or computer-based artwork -- with enough adaptability to let designers and users express a wide range of cultural preferences, rather than being locked into pre-existing options.

(MIT news)

...profoundly ambitious and wildly eclectic Phantasmal Media will likely find a wide audience among artists and technologists alike.

(John Harwood Artforum)

About the Author

D. Fox Harrell is Associate Professor of Digital Media at MIT.

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Ebook Free Net Negotiations:: What Every Parent Should Know about Controlling a Child's Use of TechnologyBy Dr. Kimberly S. Young

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Parents of addicted children and adolescents are the number one people to call for help. In my clinical practice, I work with parents on what I call “Net Negotiations” or parenting training on how to deal with kids and technology. Parents are dealing with something that many of us have not had to deal with when we were growing up. Those of us at certain age did not have computers or technology to this extent when we were children. The Internet wasn’t always a household thing. So, many of us are learning how to parent in the digital age. What does growing up with technology mean? What are the consequences or concerns we should have when children go online at four or three?
I also work with parents on what to do with their child after turning 18, and legally considered an adult. It is often the case that parents have seen the problem develop for years but as a son or daughter reaches a certain age of responsibility, the extent of his or her technology addiction is very apparent.
Net Negotiations is for parents of children ages 2 to 18 and beyond. The book covers such issues as:
•Parents need a great deal of guidance on how to raise kids with technology. How young is too young to start them? Various resources suggest limiting all use of technology until a child is two or three, and even then, one hour a day may be the maximum limit.
•Early science on the impact of technology on the brain suggest that excessive use and multitasking creates attentional problems and distractibility.
•We know that too much use is bad and not just because it is excessive or compulsive, but Internet addiction in children and adolescents creates problems. Problems in social development, physical health, and ambition and goal setting.
•Like addiction to drugs and alcohol, the Internet offers children and adolescents a way to escape painful feelings or troubling situations. They sacrifice needed hours of sleep to spend time online and withdraw from family and friends to escape into a comfortable online world that they have created and shaped.
•Children who lack rewarding or nurturing relationships or who suffer from poor social and coping skills are at greater risk to developing inappropriate or excessive online habits.
•Socially, children learn to instant message friends rather than develop face-to-face relationships, which can impact their way of relating to peers.
Net Negotiations helps parents with a simple, step-by-step strategy to learn:
•How not to use technology as a babysitter.
•How children can learn responsible computing.
•How to stop the impact of addiction on your family (and your child’s Internet addiction).
•How to identify risk factors in your child.
•How to encourage your child to exercise and stay engaged in school activities.
•How to identify the early warning signs of technology addiction.
•How to find help if you think your son or daughter has a technology problem.

• Sales Rank: #707512 in eBooks
• Published on: 2014-02-26
• Released on: 2014-02-26
• Format: Kindle eBook

Review
One of the top books in the field for parents on how to integrate technology with their children. ~ HealthyChildren.org

From the Author
I wrote Net Negotiations to help parents talk with their children about technology. Have you noticed any problems with your children spending too much time online? Do they seem preoccupied with using technology? How young is too young to start letting your children use technology?
Parents have become alarmed over how to manage a child's use of computers, laptops, tablets, and smartphones. It seems that once children discover technology that they don't want to learn how to read or write. They don't socialize with other children or all they want to do is play video games. This book is a step-by-step for parents. Since 1995, I have counseled parents struggling with children who use technology too much. What I have seen is that they need to start early and when children are very young to educated them on responsible computing! This book helps any parent with children at any age.  

About the Author
Dr. Kimberly Young is a psychologist and an internationally known expert on Internet addiction. Dr. Young founded the Center for Internet Addiction Recovery in 1995 (site at Netaddiction.com) and is a nationally-known speaker on the impact of the Internet. Her work has been featured in hundreds of media outlets such as The New York Times, The Wall Street Journal, The London Times, USA Today, Newsweek, Time, CNN, CBS News, Fox News, Good Morning America, and ABC's World News Tonight. She has received several awards for her research such as the Psychology in the Media Award from the Pennsylvania Psychological Association and the Alumni Ambassador Award for Outstanding Achievement from Indiana University at Pennsylvania. She is an expert on GoodTherapy.org. She has served as an expert on the Child Online Protection Act Congressional Commission and serves on the editorial board of CyberPsychology & Behavior, the American Journal of Family Therapy, and the International Journal of Cyber Crime and Criminal Justice.

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• Sales Rank: #6825247 in Books
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According to conventional periodization, a profound break in the continuity of Western political theory occurred around 1500 and marked the beginning of "modern" political thought. In Machiavelli to Marx Dante Germino examines the scholars of this period whose works he feels have made significant new approaches to the critical understanding of our world and, consequently, to the problems of our time. Beginning with Machiavelli, the author covers major political philosophers such as Hobbes, Locke, Rousseau, and Burke and gives lucid, perceptive accounts of what they thought and taught about politics. He discusses utilitarianism, liberalism, scientism, and messianic nationalism through the writings of such influential thinkers as Bentham, Spencer, Saint-Simon, and Fichte and concludes with three of the foremost political philosophers of the nineteenth century—Fourier, Proudhon, and Marx.

• Sales Rank: #2011168 in Books
• Published on: 1979-04-15
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.04" w x 6.00" l, 1.20 pounds
• Binding: Paperback
• 416 pages

About the Author
Dante Germino is professor of government and foreign affairs at the University of Virginia.

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PDF Ebook Freud at Work: Lucian Freud in Conversation with Sebastian Smee

PDF Ebook Freud at Work: Lucian Freud in Conversation with Sebastian Smee

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Freud at Work: Lucian Freud in Conversation with Sebastian Smee

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About the Author

Bruce Bernard wrote the introductory essay to the definitive monograph on Lucian Freud published by Random House in 1996, and edited Century, a vast compendium of photographs of the twentieth century, published to great acclaim in 2000. He worked on various newspapers and magazines including The Sunday Times (London). In 2002 his photographs of painters Lucian Freud, Francis Bacon, Frank Auerbach, Michael Andrews, and Euan Uglow, many of whom were friends from Soho in the fifties, were shown at the Tate in London. David Dawson is a painter and an assistant to Lucian Freud. He has also served as a model in a number of Freud’s paintings. His photographs of the painter were exhibited at the National Portrait Gallery in London in 2004. Sebastian Smee, formerly an art critic for The Daily Telegraph, now writes about art for The Australian, a Sydney newspaper. He lives in Australia.

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Product details

Hardcover: 256 pages

Publisher: Knopf; 1St Edition edition (November 7, 2006)

Language: English

ISBN-10: 0307266001

ISBN-13: 978-0307266002

Product Dimensions:

9.4 x 1.2 x 10.6 inches

Shipping Weight: 3.4 pounds

Average Customer Review:

4.2 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#440,952 in Books (See Top 100 in Books)

If the so-called School of London is your thing, here is a unique opportunity to watch the grand master at work. Not as good as a video, as possible with Auerbach and Bacon, but you take what you can get with the famously reclusive Freud, who clearly relishes enhancing his own reputation for eccentricity. (Remember the Snowdon photo of a wild-eyed Freud in his youth standing in front of his vintage Rolls Royce while wearing work clothes, like a scene right out of the 'sixties film Blow Up?)Here we see the work of two photographers, both old friends, who were allowed to capture Freud at work over more than 20 years, as he painted single- and multiple-subject portraits of widely varying sizes, with subjects ranging from The Queen to Leigh Bowery. Most interestingly, this format allows us to see a large number of his paintings at various stages of completion, thus showing his process in a reasonable amount of detail.Start with a sketch by Cezanne and adapt it to two models, then add a third, to make a contemporary painting. An earlier work starts with a nude model perched somewhat precariously in the cubbyhole high up on the wall. Her portrait on the easel below reveals just how brutal Freud can be in portraying the figure. When we saw the painting at Acquavella Gallery, we wondered if he actually had the model positioned in a nook in the wall. Now we know.We see how the oil portraits of subjects such as Lord Fellowes and David Hockney start with oil sketches and go through development to the finished painting. The talented young British artist Tai-Shan Schierenberg, whose portraits of John Mortimer and Lords Sainsbury and Carrington are already in the Tate and the National Portrait Gallery, is one of several artists who paint in a style very similar to Freud's, but close-ups of Freud's smaller portraits show the particuarly intensive reworking which make his work unique. He lays on paint heavily like Auerbach or Kossoff but with his own style, which, in the end, is inimitable.Brigadier Andrew Parker Bowles in full dress uniform makes a glamorous subject. We also see Freud painting a horse and his dog Pluto, and his latest young female admirer. We also see Freud developing the plates for his masterful etchings, some of the best work being done in that medium today.A 30-page interview by David Dawson and Sebastian Smee is interspersed with the late Bruce Bernard's color photographs and David Dawson provides over 100 additional color photographs of the painter at work. It seems that there is a new monograph on Freud every eighteen months or so; this is one of the few works which focuses on his process.

If you are an admirer of Lucian Freud's work, this book should definitely have place in your library. It essentially comprises of 3 parts, opening with a very frank and insightful interview with Freud by Sebastian Smee. Followed by two collections of colour and b&w photographs by Bruce Bernard and David Dawson. They cover all aspects of Freud in the studio - photos of Freud larking around as a Henry Moore sculpture, works in progress (often including the model), finished paintings, his studio, his dogs, horses, foxcub, etching plates and resulting prints, series of WIP paintings showing the stages involved in their creation. Over 120 photos in all, with the vast majority being in colour. Lavishly illustrated.Smee, Bernard, and Dawson all had/have a close association with Freud and for me that's what makes this book so special. Throughout, Freud is just going about his business which is captured wonderfully by the photos. Bernard wanted to take carefully considered photos but Freud was having none of that, to the point of literally doing headstands. Bernard died in 2000, around the time that Freud was working on his Cezanne piece. Dawson picks up the plot from there, with photo's through to 2006.For anyone interested in Freud's painting process, either out of curiosity or as an artist, the photo's provide a wealth of information. The adage "A picture is worth a 1000 words" could not be more apt. The Work in Progress photos range from the raw drawing on canvas through to finished pieces. A number of WIP photos also include the model, allowing for comparison between the flesh and the oil. Etching plates and the resulting prints are also shown.Smee's interview reads like a couple of guys chatting over a pint down the pub. Over his career (and long may it continue!) Freud has met and hung out with numerous famous figures - Picasso, Giacometti, Bacon, Hirst, Auerbach, Bergmann, Balthus, Bowery, Queen Elizabeth II, even gambling with the notorious Kray Twins (1950/60 gangsters from London's east end). The interview is liberally populated with wonderful anecdotes. Freud also talks about the painters through history that he admires - Cezanne, Matisse, Corot, Chardin, Toulouse-Latrec and why. He touches upon living in London and anti-semitism, what led him to paint pictures of his mother, his grandfather Sigmund Freud, being sat at the bar and finding out that someone else was impersonating him - was he upset? Not really, he ended up painting the man's portrait.For someone who is reknowned for his privacy this book is exceptional. I'm sure Freud had a huge say in how the book would look and its contents. His pride in a job well done is most evident.If Freud is on your artistic radar, even as the merest blip, then do yourself a favour and own this book. Essential. 10 stars!

The value of this book, in my opinion, is the interview at the beginning. It gives real insight into Freud the artist in his own words. I haven't read other interviews with him so I don't know how redundant the interview is of past profiles. As for the photos, though, which are 99% of the book, they give no insight into Freud's working methods, they mostly show him goofing around the studio and have shots of his models and paintings. Thus, if you can get this cheap (i.e under $30) I recommend it for the interview but that info may be elsewhere (online?). The photos are not, IMHO, worth the price of the book, currently around $100 used.

great read on an intriguing artist.

This should be in any representative and figurative painters' library! Or any artists' library. Powerful and wonderful painter! It's great to see Freud work in progress!

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